在本次讲座中，Cecília Mello博士将通过对巴西电影历史中两个重要时期的讨论，来介绍巴西电影的构成元素和周期性发展趋势。第一个时期是巴西新电影时期(Cinema Novo，在葡语中意为New Cinema)。它随着20世纪60年代初期的全球电影新浪潮运动而出现，并诞生了巴西历史上最重要的电影制片人Glauber Rocha。第二个时期是巴西电影事业日益蓬勃发展的20世纪90年代中后期。在这部分内容中，梅洛博士会在这个时期与新电影时期的电影作品间建立一场平行对话，以当代的新视角重新审视那些在五十年前被首次提出的问题。
主讲人：西西丽娅・梅洛博士，任教于巴西圣保罗大学艺术与传媒学院。她致力于世界电影(以中英两国为主)以及现实主义、电影院和城市空间等相关问题的研究。她发表和参与编辑过很多文章和学术著作。她最新的作品《贾樟柯的电影：中国电影中的回忆与现实主义》将于今年出版。
Cecília Mello is Lecturer in Film Studies at the Department of Film, Radio and Television, University of São Paulo. Her research focuses on world cinema – with an emphasis on British and Chinese cinemas – and on issues of realism, cinema and urban spaces and intermediality. She has published several articles and book chapters, co-edited the books Realism and the Audiovisual Media (Palgrave Macmillan, 2009), The 21st Century Film, TV & Media School: Challenges, Clashes, Changes (Cilect, 2016) and edited the book Phantasmagorical Realism (University of São Paulo, 2015). Her forthcoming book, The Cinema of Jia Zhangke: Realism and Memory in Chinese Film will be published by I.B. Tauris in 2018.
“My aim in this talk will be to discuss two moments in Brazilian cinema history in order to provide an introductory idea about its main constituting elements and recurring trends. I will start with an introduction to the Brazilian Cinema Novo movement, which is in tune with the new wave movements across the world in the beginning of the 1960s. This leads to a brief account of the work of Brazil’s most important filmmaker to date, Glauber Rocha. I will then establish a parallel between the Cinema Novo and the period of renewal in Brazilian cinema from the 1990s onwards, which revisited a lot of the themes first addressed in the 1960s but through a new lens. ”
主持人：胡续冬，学者/诗人/随笔作家，1991-2002年间求学于北京大学中文系、西方语言文学系，获文学博士学位，现执教于北京大学外国语学院世界文学研究所，兼任北京大学巴西文化中心副主任。曾在巴西利亚大学、美国爱荷华大学、台湾“中央”大学、西班牙格拉纳达大学等学校客座讲学或驻留写作。主要从事比较文学与世界文学、拉丁美洲文学与文化等领域的研究。著有《日历之力》等诗集和《去他的巴西》等随笔集。
现场翻译：樊星，北京大学外国语学院葡萄牙语专业助理教授，巴西坎皮纳斯州立大学文学博士，主要研究方向为巴西现当代文学。出版《巴西：未来之国》《奇迹之篷》《金卡斯的两次死亡》等译著。
关于中巴文化对话
“中巴文化对话”是北京民生现代美术馆与北京大学巴西文化中心共同策划推出的系列公共教育项目。该项目缘起于“对流：中巴当代艺术展”，持续近半年时间，邀请高水准的巴西嘉宾及与巴西相关的中国嘉宾参与其中，从艺术、文学、电影、文化研究、国际政治等多个角度出发，举行包括讲座、文化工作坊、特色演出、电影放映等多种活动，在与“中国”对话的基础上向社会公众系统而开放的梳理“巴西”的历史与当下，展现“巴西”的故事与魅力。“中巴文化对话”是“对流：中巴当代艺术展”的延伸与拓展，更是一次社会公众在中国了解和感受“巴西”的文化平台。
“The culture dialogue between China and Brazil” is a public education program series devised by Beijing Minsheng Art Museum and the Peking University Brazil Cultural Center. This project has its origins in the exhibition TROPOSPHERE—Chinese and Brazilian Contemporary Art, and is planned to continue for a half year, inviting high level Brazilian guests and Chinese figures related to Brazil to engage in a series of activities relating to art, literature, film, cultural research ,international politics and social science from multiple perspectives and angles, and to hold lectures, cultural workshops, performances and film screenings aimed at presenting the history and present of Brazil to the public in an open and systematic way that places the value and uniqueness of the country in clear perspective. “The Culture dialogue between China and Brazil” is an extension and expansion of TROPOSPHERE—Chinese and Brazilian Contemporary Art, and a cultural platform for fostering understanding of Brazil among the Chinese public.
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