表演内容：
两位击剑者将使用“自拍杆-花剑”进行一场搏击展示。自拍杆顶端的手机摄像头将实时记录并传输击剑者与对手搏击的粗糙影像。在扩大的自拍杆摩擦和碰撞的噪音中，击剑者逐步拓展并融合了击剑术语和摄影术语，从肢体的博弈与图像的交锋过渡到身体的贴近和数字世界的触摸。
Two fencers use selfie sticks as foil and have a fencing fight. The cameras of the smartphones on the end of selfie sticks record and transmit the two fencers’ performance in a low-quality moving image to the large screen in real-time. The terms of fencing and photography are extended and integrated in the noise generated by the friction and collision of two fencers’ selfie sticks. Symbolized the fight of bodies and the conflicts of images that are transferred to physical closeness and digital touches.
击剑者：白晓玥、叶子瑞
调音师：孙一舟
Fencers: Bai Xiaoyue, Ye Zirui
Sound: Sun Yizhou
时间：2021年7月9日星期五 16:00
地点：北京民生现代美术馆一层展厅
Date: Friday, July 9th, 2021, at 16:00
Venue: Beijing Minsheng Art Museum
该表演作为第十五届中法文化之春的组成部分，得到法国驻华大使馆、北京法国文化中心（Institut français de Pékin）的支持；北京民生现代美术馆协办并提供场地支持。
As a part of Festival Croisements 2021, the performance is supported by the French Embassy in China and Institut français de Pékin; and acknowledgment of the generous venue support by Beijing Minsheng Art Museum.
关于艺术家
姚清妹，1982年出生于中国浙江省，现生活、工作于巴黎和温州。2013年毕业于阿尔松别墅国立高等艺术学院，获得法国国家造型美术硕士学位；2014年获得第59届Salon de Montrouge评审团特别奖；2017年获得保时捷首届“中国青年艺术家年度评选”大奖；2018年获得巴黎第68届“青年艺术创作奖”。
姚清妹的实践打破了表演与其场地之间的界限，常通过对公共空间进行干预，以扰乱其现实和周围环境的规范。她的创作对政治和社会问题的机制提出质疑，通过挪用和错位的形式来探索象征性形式如何获取或丧失权力。幽默在她的作品中扮演着重要的角色，她往往以滑稽剧的诗意来揭示特定问题的荒谬性。她的创作提出了抵抗的多种不同方式，剧场表演和干预在讽刺和模仿的滑稽传统交织处确立其形式，同时其架构融合了剧场布景、服装、教学法、图像和文字的辩证法，以及现代舞蹈启发的编舞。
主要个展：双色视觉生物的四色梦，Liusa Wang 画廊，巴黎，法国（2018）；蜕皮动物，魔金石空间，北京，中国（2017）；姚教授——三足鼎及其鼎纹研究，OCAT西安，陕西，中国（2016）；为艺术博览会招聘乞丐，L'ART-O-RAMA，马赛，法国（2015）；一小时占据停车位，Paradise艺术中心，南特，法国（2015）；姚教授——姚清妹个展，魔金石空间，北京，中国（2015）；姚清妹个展，东京宫，巴黎，法国（2014）。
重要群展、放映以及行为表演项目：Artists’ Film International, 白教堂美术馆，伦敦，英国（2020）；工厂、机器与诗人的话—艺术中的现实光影，798艺术中心，北京，中国（2019）；偷单车的人，Para Site，香港，中国（2019）；比赛继续，舞台留下，广东时代美术馆，广东，中国（2019）；中国风景，2019泰康收藏精品展，北京，中国（2019）；一次彩排（现场表演），北京缓存空间（2018）；New Metallurgists, Julia Stoschek Collection, Düsseldorf，德国（2018）；呼吸—Lemaitre艺术影像收藏展，荷兹利亚当代艺术博物馆，荷兹利亚，以色列（2018）；Brace for Impact, De Appel Curatorial Programme, 阿姆斯特丹市立美术馆, 荷兰（2018）；兴起：中国当代艺术中的女性声音，中央美术学院美术馆，英国泰特美术馆，英国华人当代艺术中心，英国（2018）；例外状态：中国境况与艺术考察2017，UCCA，北京，中国（2017）；Yes I can! Un portrait du Pouvoir, 本雅明当代艺术中心，佩皮尼昂，法国（2016）；欧洲青年艺术家双年展，Kunstbygningen博物馆，弗罗，丹麦（2016）；以语为易，Rochechouart美术馆，罗什舒阿尔，法国（2014）；艺术喜剧，Foundation de Doute，布鲁瓦，法国（2014）；59届Salon de Mountrouge，蒙鲁日，法国（2014）等。
About the Artist
Yao Qingmei (b.1982, Zhejiang) currently lives and works in Wenzhou and Paris. She achieved DNSEP with honors from Villa Arson, Nice, France in 2013, and was awarded the winner of Prix spécial du jury at the 59th Salon de Montrouge in 2014, the Prize “Young Chinese Artist of the Year” in 2017 and the 68th Prix Jeune Création of Paris in 2018.
Yao Qingmei’s practice traverses the boundary between performance and its site, frequently enacting intervention in public space to perturb the parameters of its reality and surroundings. Her art is deep-rooted in a critical reflection into the formulation of political and social questions, exploring how symbolic gestures gain or lose power through forms of appropriation and displacement. Here, humor plays an important role in her work, using the poetics of comedy to expose the absurdity of a particular issue. Offering different methods of resistance, her theatrical performances and interventions find their form in an area overlapping burlesque traditions of satire and parody, which combine with framing devices influenced by theatre sets and costume, pedagogical lectures, the dialectic between image and text, choreography inspired by modern dance.
Major solo exhibitions include: The Tetrachromatic Dream of the Dichromats, Paris, FR (2018); The Ecdysiast, Magician Space, Beijing, CN (2017); Professor Yao, OCAT Xi’an, Shaanxi, CN (2016); Recrute Mendicant/ SDF pour une foire d’art contemporain, Marseilles, FR (2015); One Hour Occupy Parking Lot, Paradise, Nante, FR (2015); Professor Yao, Magician Space, Beijing, CN (2015); Vernissage Nouvelles Expos, Palais de Tokyo, Paris, FR (2014).
Major group exhibitions, screenings and performances include: Artists’ Film International, Whitechapel Gallery, London, GB (2020); Factories, Machines and the Poet’s Words: Echoes of the Realities in Art, 798 Art Zone Buildings, Beijing, CN (2019); Bicycle Thieves, Para Site, Hong Kong, CN (2019); The Racing Will Continue, The Dancing Will Stay, Guangdong Times Museum, Guangdong, CN (2019); China Land Scape: Selections from the Taikang Collection 2019, Beijing, CN (2019); One Rehearsal (Performance), CACHE, Beijing, CN (2018); New Metallurgists, Julia Stoschek Collection, Düsseldorf, DE (2018); Respire-Works from the Lemaitre Video Art Collection, Herzliya Museum of Conyemporary Art, Herzliya, IL (2018); Brace for Impact, De Appel Curatorial Programme, Stedelijk Museum Amsterdam, NL (2018); NOW: A Dialogue on Female Chinese Contemporary Artists, Co-organised by CAFA Art Museum, Centre for Chinese Contemporary Art, and Tate Research Centre: Asia, UK (2018); The New Normal: Art and China in 2017, UCCA, Beijing, CN (2017); Yes I can! Un Portrait du Pouvoir, Centre d’art Contemporain Walter Benjamin, Perpignan, FR (2016); JCE Biennale 2015-2017, Kunstbygningen Museum, Vra, Denmark (2016); Le Commerce de la Parole, Museum Rochechouart, Rochechouart, FR (2014); La Comedie de l’Art, Fondation de Doute, Ville de Blois, FR (2014); 59e Salon de Montrouge, Ville de Montrouge, Montrouge, FR (2014).
现场：
